Research into the primal foundations

The ultimate goal of this series is not to create a “beautiful image,” but to reach a state of “objectlessness.”

This is a state of consciousness in which both the artist and the viewer are freed from the dictates of the visible world and enter into direct interaction with the Platonic world of ideas.

Through extreme simplification and abstraction, art arrives at maximum complexity — the modeling of life itself, understood as a play of pure forces and energies.

“An exploration of the fundamental principles of form and color” is both a meditative practice and a fundamental scientific experiment.

It is an attempt to answer the questions: “What remains of reality if we strip it of everything accidental? What building blocks constitute our perception?”

It is a visual philosophy in which every element is a concept, and the entire composition is a form of reasoning.

It is about how the primordial strives toward the absolute.